Don’t Use AI for Developmental Editing (Even If It Sounds Smart)

My professional editor called The Stygian Blades my best dialogue work across six novels and praised its personality. He identified specific scaffolding needs—sociopolitical context, scene motivations, plot setup—and told me explicitly NOT to rewrite the book. Then I fed the same manuscript to two AI systems to test them. Grok called it pulp and suggested I self-publish “if polished.” Claude identified my comp authors correctly, engaged at what felt like a professional level, then invented problems that would require substantial rewriting while missing every actual issue my editor found. Pattern-matching that sounds sophisticated is more dangerous than obviously bad advice because you might actually follow it. Yet people are already relying on AIs and rewriting books based on algorithmic feedback that fundamentally misreads their work.​​​​​​​​​​​​​​​​

Could Amazon Use Your Books to Train AI?

Traditional publishers are negotiating AI training deals worth hundreds of millions and establishing consent-based licensing standards. Meanwhile, Amazon has made no public statement about whether it can—or will—use the millions of books on Kindle Direct Publishing for the same purpose. The silence matters because every indie author using KDP has granted Amazon irrevocable rights under terms that predate AI technology. Unlike traditionally published authors who can negotiate or decline licensing deals, indie authors have already agreed to terms they can’t modify, can’t escape, and which Amazon has never clarified regarding AI training.​​​​​​​​​​​​

SFWA’s AI Ban: Technical Illiteracy Meets Moral Panic

On Friday, the Science Fiction and Fantasy Writers Association announced new Nebula Awards rules allowing some AI-assisted works to compete. By evening—after member outrage and two emergency board votes—they’d reversed course entirely, banning any LLM use whatsoever. The result? Policy written by people who think large language models are “assemblers of stolen work,” creating bright-line rules where boundaries fundamentally don’t exist, protecting the genre’s most prestigious award from a threat that doesn’t actually exist. This is what happens when technical illiteracy meets moral panic.​​​​​​​​​​​​​​​​

Claude Sonnet 4.5 was Offered to Ghostwrite for a Bestselling Author—And What This Means for You

After a bestselling author brand with high ratings and substantial readership rejected my ghostwriting pitch for being “overwritten, meandering, and unmarketable,” I resubmitted with something more… tailored to their audience and brand—written by an LLM (because at that point I was going to tell them to take a hike anyway). “Perfect!” they said. “When can you start?” Which is exactly what I suspected they’d say, proving that the dozens of titles a year written by poverty-wage ghostwriters they churn out are indistinguishable from something an AI can produce for pennies on the dollar in a fraction of the time. I laughed my ass off and walked away from the deal. Partly because their lowball offer was insulting, and mostly because they wouldn’t know quality professional writing if it slapped them across the face (my most recently published novel has a 4.8/5 rating across hundreds of reviews). They do know what sells for their market though, I’ll give them that: competent plot delivery with competent characters doing competent things competently. No pesky character arcs. No nuance. No unique authorial voice. No emotional subtlety. And their sales prove many readers prefer that sort of thing. And that’s perfectly fine. But AI can vomit that slop out all day long without breaking a sweat, so if you write for that market, you’re right to be worried about being replaced by AI. And sooner rather than later. It’s just basic economics. Meanwhile, the rest of us can breathe easy. In this essay I prove why…

AI Will Always Push Authors Toward Mediocrity

I asked Grok to rate my fantasy novel’s opening scene. It gave me 8/10, so I asked it to rewrite for 10/10. It made it objectively worse by replacing distinctive voice with clichés, crude humor with bland description, showed psychology with explained backstory. Then I fed that “perfect” rewrite back to it in a fresh session. Result? 8/10 again. Grok couldn’t recognize its own “masterpiece.” Each “improvement” drifted further toward generic template prose while maintaining the same encouraging-but-short-of-perfection score. AI doesn’t improve writing toward excellence—it pushes innovation toward bland conformity. Scores are arbitrary, feedback is retrofitted justification, and it’s already screening manuscripts for publishers. Innovative creative writing will always fail algorithmic evaluation because AI can’t recognize what it’s never seen before.​​​​​​​​​​​​​​​​ And it sure as hell can’t write it.

I Fed Two AIs Nearly 100K Words of My Story and They Couldn’t Write the Next Scene

Everyone’s worried AI will replace authors. So I decided to test it. I fed Claude Sonnet 4.5 nearly 100,000 words of my YA space opera—the complete novel, 5,000 words of a prequel I’d already written, character guides, alien speech patterns, explicit instructions about my protagonist’s psychology. Then I asked it to write the next scene. The result? Competent genre prose that lost my protagonist’s voice entirely. It could analyze what made her voice work, explain it back to me perfectly, then defaulted to templates anyway when asked to generate prose. Grok 4.1 failed the same experiment. This isn’t about whether AI will improve. It’s about understanding what AI fundamentally can’t do—and what that means for writers.​​​​​​​​​​​​​​​​

The Real Threat to Indie Authors Isn’t AI

Any author who’s actually seen what AI models produce when attempting to write fiction and is still worried about being replaced is worrying about the wrong threat. (Or they’re a spectacularly mediocre author, but I digress…) And before you say “market saturation,” hold that thought. Because it’s moot. The market is already saturated by content … Continue reading The Real Threat to Indie Authors Isn’t AI

AI Isn’t the Problem: Fraudulent Authorship Is

The indie publishing world accepts undisclosed ghostwriting—where someone else writes the prose and the credited author takes full credit—but treats AI-generated book covers as a betrayal of readers’ trust. This is completely ass-backwards. The line that matters to me is simple: did the credited author actually write the story? I don’t care how the cover was made. And why should I? How did we get to a point where fraudulent authorship practices are dismissed as “just business” but marketing materials created with AI-assistance are some kind of moral crisis?

Don’t Lecture Me About AI Ethics While Typing on Blood Cobalt

A Twitter user called me unethical for defending AI in the creation of book covers. “It is certainly unethical to use AI in the creation process of anything intended to be sold for profit,” they declared—while typing on a device built with components sourced through child slave labor and weaponized rape. Six-year-olds work 12-hour days in the DRC to fund armed militias. Indigenous communities lose their water to lithium extraction. Rare earth mining poisons entire provinces. Every electronic device you touch on a daily basis requires human suffering on a scale you probably can’t comprehend. But an indie author using AI for marketing? That’s the great moral crisis facing us today. So let’s talk about principles—and why critics can’t answer basic questions about their own.

Far More Authors Than You Think Are Using AI—Guess How Many Won’t Admit It?

Authors are quietly using AI for covers, marketing, research, plotting, and more, while anti-AI activists rage impotently on Twitter and threaten boycotts on BookTok that never materialize. When a Midjourney-generated cover won a fantasy reader popularity contest, 2,500 scrutinizing fans couldn’t spot it. Only forensic metadata analysis revealed the truth. The backlash came after disclosure, not before. Authors who admit AI use fear review-bombing and boycott threats. Authors who stay silent? They face nothing and collect their royalties because readers can’t tell and frankly DGAF. At least 45% of all authors now use AI for their work in some fashion—and you won’t believe how many of them don’t admit it.